
Every month Furthernoise review and feature a wide spectrum of cross
genre music and sound works from submissions sent to us. These can
be live recordings including audio installations, independent CDRs
and CD / vinyl label releases. Although we cannot guarantee your
submission will be reviewed, we do listen to everything we receive.
It is our policy that all reviews contain selected mp3s of the featured
works, which are also streamed from the sites audio player. This
is governed by a Creative
Commons Attribution-Noncommercial-No Derivative Works 2.0 UK:
England & Wales License. By submitting material we assume your
permission to use the work in this way.
Furthernoise.org net label
Furthernoise regularly curates high quality mp3 compilations
and individual releases of adventurous critical music & sound. Our
current series Explorations in Sound is now in
it's 3rd edition and has established a reputation for quality and
innovation gaining critical acclaim and recognition by the wider
sound arts field.
Each release is free to download (artwork included) and features
a diverse array of artists and groups who are pushing the boundaries
of their genre, exploring new terrains that communicate via sound.
All works are governed by the above Creative Commons license.
We have an open submissions poilicy for these releases and invite
curators and artists to submit ideas and material for future releases.Please
submit proposals through the sites contact address or email roger
[at] furthernoise [dot] org.
Review Submission Guidelines
Due the international nature of Furthernoise.org and issues of climate
change, we have changed our submission policy and are now accepting
submissions based on the location of nearest reviewer to the submission
being sent.
Below is the list of Furthernoise reviewers, territories and the
genres in which they will consider. Please send submissions to the
reviewer closest to you for the most relevant genre.
Australasia / USA (West Coast)
Roger Mills - Editor
Avant Jazz, Avant Folk, Avant Classical, Drone, Electroacoustic,
Electronica, Field Recordings, Experimental Beats, Improv, Radio,
Live Events.
133 Illawarra Road, Marrickville, Sydney. 2204. NSW Australia.
United Kingdom / Europe
Alan Lockett - Ambient, Drone, Electronica, Live Events.
Top Floor Flat, 9 Caledonia Place, Clifton, Bristol. BS8 4DH. UK.
Alex Young - Electronica, Experimental Beats, Manipulated / Field
recordings, Live Events.
128b Oval Road, Croydon, London.CR0 6BL. UK.
Stacey Sewell- Electronica, Experimental Beats, Contemporary Classical,
Avant Folk.
s.sewell [at] dartington [dot] ac [dot] uk
Mark Francombe
Genres:Avant Garde Rock, Noise, Electronica, Improv, Experimental
Indie, Live Events / Festivals.
Maridalsveien 161. Oslo 0461. Norway.
USA
Caleb Deupree
Ambient, Contemporary classical, Electroacoustic, Drones.
1909 E. Buck Ridge Place, Oro Valley, AZ 85737 USA.
Derek Morton - Drone, Noise, Signal processing, Electronica, Manipulated
/ Field Recordings.
4334 42nd Street, Apt. 3R. Sunnyside New York 11104. USA.
Canada
Max Schaefer
Electronica, Experimental Beats, Drone, Ambient, Field
Recordings / manipulations, Contemporary Classical
104-350 Linden Avenue, Victoria, BC. V8V 4E9. Canada.
We also encourage electronic submissions where possible. Please
follow the guidelines below
Send covering email and description of submission to relevant genre
reviewer and ftp Zip file containing mp3s encoded to 96kbt
What To Submit
All hard copy or net submissions must be accompanied by 2 digital
images / artwork for the tumbnail and banner of the review. This
can be sleeve / cover artwork or artist photograph. The images must
be in the following format.
- Thumbnail or front end artwork as jpg or gif
120 pixels height x 80 pixels width.
- Main review banner artwork as jpg or gif 128
pixels height x 570 pixels
width.
Please also include:
- Artist biog / statement or relevant processes
- Release date
- Label details (if any)
- Relevant URLs
Please ensure that you have provided the details above as failure to do so may result in your submission being overlooked.
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